翻訳と辞書
Words near each other
・ Automatic Digital Network
・ Automatic distillation of structure
・ Automatic document feeder
・ Automatic double tracking
・ Automatic Drive
・ Automatic Duck
・ Automatic Electric
・ Automatic enrolment
・ Automatic equipment identification
・ Automatic exposure control
・ Automatic faucet
・ Automatic film applicator
・ Automatic fire suppression
・ Automatic firearm
・ Automatic Flowers
Automatic for the People
・ Automatic frequency control
・ Automatic gain control
・ Automatic gas-check
・ Automatic Generation Control
・ Automatic Generic Substitution
・ Automatic grenade launcher
・ Automatic group
・ Automatic Gun-Laying Turret
・ Automatic High
・ Automatic identification and data capture
・ Automatic Identification System
・ Automatic image annotation
・ Automatic Independent Surveillance-Privacy
・ Automatic indexing


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Automatic for the People : ウィキペディア英語版
Automatic for the People

| Length =
| Label = Warner Bros.
| Producer =
| Last album = ''The Best of R.E.M.''
(1991)
| This album = ''Automatic for the People''
(1992)
| Next album = ''The Automatic Box''
(1993)
| Misc =
}}
''Automatic for the People'' is the eighth studio album by the American alternative rock band R.E.M., released in 1992 on Warner Bros. Records. Upon release, it reached number two on the U.S. album charts and yielded six singles. The album has sold 18 million copies worldwide and is widely considered one of the best records released in the 1990s.
==Background and recording==
After promotional duties for their previous album ''Out of Time'' in May 1991, the members of R.E.M. began work on their next album. Starting the first week of June,〔Robbins, Ira. "R.E.M." ''Pulse!''. October 1992〕 guitarist Peter Buck, bassist Mike Mills, and drummer Bill Berry met several times a week in a rehearsal studio to work on new material. Once a month they would take a week-long break. The musicians would often trade instruments: Buck would play mandolin, Mills would play piano or organ and Berry would play bass. Buck explained that writing without drums was productive for the band members.〔Fletcher, p. 208〕 The band, intent on delivering an album of harder-rocking material after ''Out of Time'', made an effort to write some faster rock songs during rehearsals, but came up with less than a half-dozen prospective songs in that vein.〔Fricke, David. "Living Up to ''Out of Time''/Remote Control: Parts I and II". ''Melody Maker''. October 3, 1992.〕
When it came time to make demos, the musicians recorded them in their standard band configuration.〔 According to Buck, the musicians recorded about 30 songs. Lead singer Michael Stipe was not present at these sessions; instead, the band gave him the finished demos at the start of 1992.〔Fletcher, p. 209〕 Stipe described the music to ''Rolling Stone Magazine'' early that year as "()ery mid-tempo, pretty fucking weird () More acoustic, more organ-based, less drums".〔Fricke, David. "(The Rolling Stone Interview: Michael Stipe )". ''Rolling Stone''. March 5, 1992. Retrieved on March 12, 2009〕 In February, R.E.M. recorded another set of demos at Daniel Lanois' Kingsway Studios in New Orleans.〔Black, p. 190〕
The group decided to create finished recordings with co-producer Scott Litt at Bearsville Studios in Woodstock, New York, starting on March 30.〔Black, p. 191〕 The band recorded overdubs in Miami and New York City. String arrangements were recorded in Atlanta.〔Buckley, p. 216〕 After recording sessions were completed in July, the album was mixed at Bad Animals Studio in Seattle.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Automatic for the People」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.